Plaster Casts

Overview

Scope and Contents

Administrative Information

Detailed Description

Antinous

Apoxyomenos (Vatican Apoxyomenos)

Augustus of Primaporta

The Belvedere Apollo (also called Pythian Apollo)

Hebe

Apollo Sauroctonos (Lizard Slayer)

Canephora (Kanephoros)

Charioteer of Delphi

Standing Discobolus (Discophoros)

Crouching Discobolos

Germanicus (Marcellus)

Germanicus (Marcellus)

Hermes of Praxiteles (Hermes and the Infant Dionysus)

Laocoon and his Sons

Mercury

Nike of Samothrace (Winged Victory)

Parthenon Frieze

Parthenon Frieze (Block XL from the North frieze)

Parthenon Frieze

Parthenon Frieze

Parthenon Frieze

Parthenon Frieze (South Frieze XLIV)

Parthenon Frieze (West Frieze II)

Parthenon Frieze

Parthenon Frieze

Parthenon Frieze

Parthenon Frieze

Parthenon Frieze

Parthenon Frieze

Parthenon Frieze

Parthenon Frieze

Dione and Aphrodite (From Hestia, Dione and Aphrodite)

Head of a horse from Selene's Chariot

Centaur and Torso (South metope II)

Berlin Adorante

Boy of Subiaco

Titan

Venus de Milo (Aphrodite of Milos)

Venus de Milo (Aphrodite of Milos)

Venus de Milo (Aphrodite of Milos)

Crouching Venus (Crouching Aphrodite)

Shy Venus

Borghese Warrior

Borghese Warrior

The Wrestlers

The Rape of Europa

Censing Angels

Censing Angels

King and Queen Column (Royal Portal Chartres Cathedral)

King

Queen

Elders of the Apocalypse (Royal Portal Chatres Cathedral)

Elders of the Apocalypse (Royal Portal Chatres Cathedral)

Allegory of Agriculture

Sarcophagus of Giustina

Sarcophagus of Giustina

Sarcophagus of Giustina

Saint George

Pieta (after Donatello)

Giuliano de' Medici

Lorenzo de' Medici

Madonna of Bruges (Madonna and Child)

The Rebellious Slave

The Dying Slave

Foundling Roundel

Meeting of St Francis and St Dominic

Madonna and Child

Virgin and Child

Virgin and Child

Virgin and Child Roundel

Virgin and Child Roundel

Virgin and Child Roundel

Cantorie Panels

Cantorie Panels

Cantorie Panels

Cantorie Panels

Cantorie Panels

Cantorie Panels

Mater Dolorosa

Queen

Teucer

Archer of the Royal Guard

Assyrian Relief of Ashuransirpal II

Bishop

Lion and Serpent

John Ruskin

'O Grave Where is Thy Victory'

Angel Figure

Relief in Wreath

Relief in Wreath

Classical Woman in Relief

Classical Woman in Relief

Marcus Aurelius

Female Head

Portrait head in Tondo

Adoration of the Magi

Preacher (Pilgrim?)

Woman Looking in Mirror

Panel Scene with Classical Figures

Panel Scene with Figures

Panel Scene with Figures in Relief

Relief Panel with Profile Portrait Head

Fragment of Relief Panel with Figures

Half Section of Classical Relief with Putti Holding Laurel Wreath

Armouria

Decorative Relief Panel (Royal palace)

Architectural fragment with Lion Mask

Decorative Relief Panel with Classical Figures

Fragment of Stele

Relief Panel with Foliage and Animals

Acroterua from Greek Temple

Fragment of Frieze

Miniature copy of the Parthenon Panathenaic Frieze on Framed Panel

Decorative Relief of Panel with Vine

Corner Capital

Acanthus Leaf Fragment

Top Capital with Foliate Ornament

Base of Column Cluster with Human Mask

Armorial panel

Decorative Relief Panel with initial H and French Royal Crown

Cornerstone of Decorated Cornice

Decorative Relief Panel with Leaves

Capital form the Temple of Vesta

Fragment with Foliage from Notre Dam

Stele with decorative strap work

Fragment with Decorative Strapwork

Decorative Capitals

Decorative Capitals

Decorated Pilaster

Decorated Ionic Capital

Decorated Ionic Capital

Fragment of Window Arch

Putti and foliage (Tondo)

Foliate Capitals of Paired Columns

Fragment of Stele

Architectural Fragment

Architectural Fragment

Arcitrave with Foliage

Cherub

Capitals with Scroll ornament

Capitals with foliate ornament

Architectural Fragment with Leafy Ornament

Fragment with Helmet and Ornament

Pilaster Capital

Panel decorated with Figures, Putti, Masks and Foliage

Architectural Fragment

Gothic Capital

Coat of Arms on Octogonal Panel

Architectural Ornamentation

Architectural Fragment Leaf Relief

Architectural Fragment

Section of Cornice with bands of Ornament

Architecural Fragment with Foliage

Panel decorated with Vase, Birds and Foliage Ornament

Capital of Composite Form

Architectural Fragment

Architectural Fragment

Panel decorated with Foliage and Figures

Panel decorated with Cornucopiae, Birds, Foliage in Relief

Ornamented Boss

Architectural Fragment

Architectural Fragment decorated with Egg and Dart Enrichments

Part of Cornice

Part of Cornice

Architectural Fragment with Leafy Foliage Ornament

Panel with figure of Ceres, Animals, Foliage etc

Corinthian Capital with Stylised Acanthus

Capital

Cornice decorated with bands of Ornament and Masks

Cornice decorated with bands of Ornament and Masks.

Panel with pair of Wolf Headed Figures

Portion of a curved panel with Leaves

Sculptural Fragment, Foot

Architectural Fragment

Architectural Fragment

Panel with decoration of Foliage and Hops

Section of Entablature

Panel with Interlaced Foliage Decoration

Architectural Fragment with Leaf

Architectural Fragment with Egg and Tongue Moulding

Architectural Fragment

Architectural Fragment

Architectural Fragment

Architectural Fragment

Plaster Capital decorated with Vines and paired Birds

Fragment with Foliage Decoration in Relief

Section of Pilaster with Vase, Foliage and Putti

Section of Frieze with Vines and Eagle in Clipeus

Two Handled Urn decorated with Classical Figures

Panel decorated with Figure and Foliage in Relief

Decorated Pilaster

Capital with Masks and Foliage

Trophy with Musical Instruments

Section of frieze with Foliage and Decorated Borders

Architectural Fragment

Architectural Fragment

Fragment of Decorated Panel

Panel decorated with Putti, Birds etc

Blind Window

Decorated Pilasters (doorway)

Decorated Pilasters (doorway)

Architectural Fragment

Architectural Fragment

Base of Roman Altar

Fragment of Decorated Capitals, Lion Head

Fragment of Decorated Capitals

Panel decorated with Birds, Thistles and Foliage

Decorated panel with Stylised Leaves

Panel with Bambini

Bucrania

Unknown Female on Panel with Foliage

Panel with Foliage

Mary Statuette

Relief Foliage with Vases

Madonna and Child Maquette

Panel Birds with scrolled Foliage

Rectangular architecural fragment with Arched Indentations

Panther catching Rabbit

Mercury's Torso

Unknown cast

Cherub with Fish

Bull's Head

Large Foliage Panel

Medici Venus

Large Leaf

Female form

Capital with Monk

Aristotle

Angel

Damaged Capital

Bust wearing Turban

Pointed Stele

Capital with leaves

Cylindrical Fragment

Capital with Double Columns

Remembrance Panel

Griffin in Relief

Standing Putti

Angel playing Lute

Cherub with Horns

Relief Panel with Vases

Baptismal Font

Console

Female Figure

Female Figure

Female Figure

Female Figure

Modern Panel

Laughing Boy



Contact us about this collection

Plaster Casts, Mid 19th century to early 20th century Add to your favourites. View associated digital content.

Collection Overview

Title: Plaster Casts, Mid 19th century to early 20th century Add to your favourites. View associated digital content.

Extent: 247.0 Items

Subjects: Sculpture, Teaching materials, The Glasgow School of Art

Scope and Contents of the Materials

Collection of plaster casts comprising human figures, architectural fragments, plaster friezes, plaster reliefs, marble reliefs, tondos and busts.

Casts were used as an important teaching aid by the School, from the late 19th century onwards. The casts are generally based on classical statuary and were originally sourced from Greek, Roman and later Italian and medieval periods. Whilst not totally unique (most art schools in the UK and across Europe owned their own collections, purchased from established suppliers in London, Paris etc.), their continued existence within their original setting gives them an added significance. Importantly, the Glasgow School of Art's photographic archive contains many period images of how these casts have been used by staff and students since they were first introduced.

The majority of GSA's plaster cast collection was located in the School's Mackintosh Building at the time of a fire in the building on 23rd May 2014. As result the majority of the collection suffered damage, of varying degrees, and all casts were subsequently surveyed by a conservator. Six casts were lost in the fire and eleven larger casts have undergone remedial conservation in 2016-17. The remaining casts will undergo cleaning before they are repositioned around GSA's campus during 2019.

Collection Historical Note

In the nineteenth century, drawing was the foundation stone for all of Glasgow School of Art's courses. Students were encouraged to spend weeks perfecting their skills by drawing the 'ideal forms' of the cast collection; which are a mixture of figures, animal and architectural representations.

Throughout the second half of the 19th century (the school was established in 1845) and the early 20th century the school regularly bought plaster casts, similarly to most art schools across Europe. These were bought from manufacturers who would produce life size and scale replicas of the original sculptures and reliefs.

The majority of the purchases that can be attributed at Glasgow School of Art are from D.Brucciani, Ltd who offered casts of Greek and Roman ornament alongside those of works from the Byzantine, Gothic and Renaissance periods, and who also worked for The British Museum and the Victoria & Albert Museum.

Glasgow School of Art’s archives (including inventories, studies by students, photographs and governors books) provide an insight into the previous life of the casts; where they were stored, who used them and how much vaster the collection was in its heyday. The earliest inventory of the collection was in 1849, from which a small number of current casts can be identified including a cast of Michelangelo’s ‘Dying Slave’ (First Floor). Further inventories note additions to the collection though not all records can be identified as singular pieces of the collection as general descriptions mean they could be recording any number of pieces.

The current collection held by the school is spread over several buildings, though is primarily held in the Mackintosh Building; which is primarily large statues lining the corridors, and fragments of architectural ornament mounted on the walls and on shelves, and a small number of animals and statuettes. Most figurative sculpture casts are of Classical and Hellenistic styles, the former of strong stature but displaying naturalistic poses and the later becoming more realistic rather than depicting people as the pinnacle of beauty and perfection. However, there are also examples of later Gothic styles such as cast of an Archbishop (Basement corridor), which is of secular origin and expressive in form. There is a greater variety of styles in the architectural fragments which range from the strict classical orders to the expressive renaissance and baroque relief sculpture. The casts were cleaned and conserved from 2008 to 2010. Many of the casts, particularly the full sized ones, had previously been painted to retain a purity of colour (so form could be concentrated on) which was not removed in case of any further damage. In 2014 the catalogue for the casts was updated; adding photographs and additional information to pre-existing records.

Subject/Index Terms

Sculpture
Teaching materials
The Glasgow School of Art

Administrative Information

Repository: GSA Archives

Access Restrictions: Glasgow School of Art Archives and Collections are open for research by appointment.

Use Restrictions: Application for permission to quote should be submitted to the Archives and Collections Centre at The Glasgow School of Art. Reproduction subject to usual conditions: educational use and condition of documents.

Physical Access Note: Plaster, wood, marble.

Related Materials:

If you would like further information about the casts at Glasgow School of Art in the archives centre see:

‘Catalogue of Books, Casts etc. of the School of Ornamental Art, Glasgow’, 1849, the earliest source of casts were owned by the school (GSAA/GOV/7/1)

‘Lending Scheme’, dates some pieces that have been smashed with a running total of costs, 1914-1940 (GSAA/ISE/4/7)

‘Catalogue casts for schools’, a brochure of casts which can be purchased, 1922 (GSAA/ISE/5/8)

‘Catalogue of Plaster Casts’ lists a small number of pieces in the school, including ones that have been smashed from 1939 (GSAA/ISE/5/7)

‘Inventory of Casts’, 1953 (GSAA/ISE/5/12)

‘Inventory and Valuation 1964/1965’, an inventory of all the moveable contents at Glasgow School of Art (GSAA/GOV/7/5)

Related Publications:

For further information about casts, classical architectural and classical sculpture, the following publications were used as a source for the catalogue:

Summerson, J. The Classical Language of Architecture, (Thames & Hudson, 1983 ed.)

Haskell, F & Penny, N. Taste and the Antique: The Lure of Classical Sculpture 1500-1900,  (Yale University Press, 1981 ed.)

Also search for other cast collections in art schools and institutions around the UK, many have informative websites

Processing Information: Descriptions updated and images uploaded by Penelope Hines, University of Glasgow student placement, 2014.

Finding Aid Revision History: Catalogue imported to Archon software and updated by Michelle Kaye, Archon Project Officer, April 2014.


Description of Contents

Antinous, 20th century,
Apoxyomenos (Vatican Apoxyomenos), Mid 19th century to early 20th century,
Augustus of Primaporta, 20th century,
The Belvedere Apollo (also called Pythian Apollo), 19th century,
Hebe, 20th century,
Apollo Sauroctonos (Lizard Slayer), Mid 19th to early 20th century,
Canephora (Kanephoros), Mid 19th to early 20th century,
Charioteer of Delphi, Mid 19th to early 20th century,
Standing Discobolus (Discophoros), 19th century,
Crouching Discobolos, 19th century,
Germanicus (Marcellus), Mid 19th to early 20th century,
Germanicus (Marcellus), Mid 19th to early 20th century,
Hermes of Praxiteles (Hermes and the Infant Dionysus), Mid 19th to early 20th century,
Laocoon and his Sons, 19th century,
Mercury, Mid 19th to early 20th century,
Nike of Samothrace (Winged Victory), 20th century,
Parthenon Frieze, 19th century,
Parthenon Frieze (Block XL from the North frieze), 19th century,
Parthenon Frieze, 19th century,
Parthenon Frieze, 19th century,
Parthenon Frieze, 19th century,
Parthenon Frieze (South Frieze XLIV), 19th century,
Parthenon Frieze (West Frieze II), 19th century,
Parthenon Frieze, 19th century,
Parthenon Frieze, 19th century,
Parthenon Frieze, 19th century,
Parthenon Frieze, 19th century,
Parthenon Frieze, 19th century,
Parthenon Frieze, 19th century,
Parthenon Frieze, 19th century,
Parthenon Frieze, 19th century,
Dione and Aphrodite (From Hestia, Dione and Aphrodite), Mid 19th to early 20th century,
Head of a horse from Selene's Chariot, Mid 19th to early 20th century,
Centaur and Torso (South metope II), Mid 19th to early 20th century,
Berlin Adorante, Mid 19th to early 20th century,
Boy of Subiaco, Mid 19th to early 20th century,
Titan, Mid 19th to early 20th century,
Venus de Milo (Aphrodite of Milos), Mid 19th to early 20th century,
Venus de Milo (Aphrodite of Milos), Mid 19th to early 20th century,
Venus de Milo (Aphrodite of Milos), Mid 19th to early 20th century,
Crouching Venus (Crouching Aphrodite), Mid 19th to early 20th century,
Shy Venus, Mid 19th to early 20th century,
Borghese Warrior, 19th century,
Borghese Warrior, 19th century,
The Wrestlers, Mid 19th to early 20th century,
The Rape of Europa, Mid 19th to early 20th century,
Censing Angels, Mid 19th to early 20th century,
Censing Angels, Mid 19th to early 20th century,
King and Queen Column (Royal Portal Chartres Cathedral), Mid 19th to early 20th century,
King, Mid 19th to early 20th century,
Queen, Mid 19th to early 20th century,
Elders of the Apocalypse (Royal Portal Chatres Cathedral), Mid 19th to early 20th century,
Elders of the Apocalypse (Royal Portal Chatres Cathedral), Mid 19th to early 20th century,
Allegory of Agriculture, Mid 19th to early 20th century,
Sarcophagus of Giustina, Mid 19th century to early 20th century,
Sarcophagus of Giustina, Mid 19th to early 20th century,
Sarcophagus of Giustina, Mid 19th to early 20th century,
Saint George, Mid 19th to early 20th century,
Pieta (after Donatello), Mid 19th to early 20th century,
Giuliano de' Medici, Mid 19th to early 20th century,
Lorenzo de' Medici, Mid 19th to early 20th century,
Madonna of Bruges (Madonna and Child), Mid 19th to early 20th century,
The Rebellious Slave, Mid 19th to early 20th century,
The Dying Slave, 19th century,
Foundling Roundel, Mid 19th to early 20th century,
Meeting of St Francis and St Dominic, Mid 19th to early 20th century,
Madonna and Child, Mid 19th to early 20th century,
Virgin and Child, Mid 19th to early 20th century,
Virgin and Child, Mid 19th to early 20th century,
Virgin and Child Roundel, Mid 19th to 20th century,
Virgin and Child Roundel, Mid 19th to 20th century,
Virgin and Child Roundel, Mid 19th to 20th century,
Cantorie Panels, Mid 19th to early 20th century,
Cantorie Panels, Mid 19th to early 20th century,
Cantorie Panels, Mid 19th to early 20th century,
Cantorie Panels, Mid 19th to early 20th century,
Cantorie Panels, Mid 19th to early 20th century,
Cantorie Panels, Mid 19th to early 20th century,
Mater Dolorosa, Mid 19th to early 20th century,
Queen, Mid 19th to early 20th century,
Teucer, Mid 19th to 20th century,
Archer of the Royal Guard, Mid 19th to early 20th century,
Assyrian Relief of Ashuransirpal II, Mid 19th to early 20th century,
Bishop, Mid 19th to early 20th century,
Lion and Serpent, 20th century,
John Ruskin, Mid 19th to early 20th century,
'O Grave Where is Thy Victory', Mid 19th to early 20th century,
Angel Figure, Mid 19th to early 20th century,
Relief in Wreath, Mid 19th to early 20th century,
Relief in Wreath, Mid 19th to early 20th century,
Classical Woman in Relief, Mid 19th to early 20th century,
Classical Woman in Relief, Mid 19th to early 20th century,
Marcus Aurelius, Mid 19th to early 20th century,
Female Head, Mid 19th to early 20th century,
Portrait head in Tondo, Mid 19th to early 20th century,
Adoration of the Magi, Mid 19th to early 20th century,
Preacher (Pilgrim?), Mid 19th to early 20th century,
Woman Looking in Mirror, Mid 19th to early 20th century,
Panel Scene with Classical Figures, Mid 19th to early 20th century,
Panel Scene with Figures, Mid 19th to early 20th century,
Panel Scene with Figures in Relief,
Relief Panel with Profile Portrait Head,
Fragment of Relief Panel with Figures, Mid 19th to early 20th century,
Half Section of Classical Relief with Putti Holding Laurel Wreath, Mid 19th to early 20th century,
Armouria, Mid 19th to early 20th century,
Decorative Relief Panel (Royal palace), Mid 19th to early 20th century,
Architectural fragment with Lion Mask, Mid 19th to early 20th century,
Decorative Relief Panel with Classical Figures, Mid 19th to early 20th century,
Fragment of Stele, Mid 19th to early 20th century,
Relief Panel with Foliage and Animals, Mid 19th to early 20th century,
Acroterua from Greek Temple, Mid 19th to early 20th century,
Fragment of Frieze, Mid 19th to early 20th century,
Miniature copy of the Parthenon Panathenaic Frieze on Framed Panel, Mid 19th to early 20th century,
Decorative Relief of Panel with Vine, Mid 19th to early 20th century,
Corner Capital, Mid 19th to early 20th century,
Acanthus Leaf Fragment, Mid 19th to early 20th century,
Top Capital with Foliate Ornament, Mid 19th to early 20th century,
Base of Column Cluster with Human Mask, Mid 19th to early 20th century,
Armorial panel, Mid 19th to early 20th century,
Decorative Relief Panel with initial H and French Royal Crown, Mid 19th to early 20th century,
Cornerstone of Decorated Cornice, Mid 19th to early 20th century,
Decorative Relief Panel with Leaves, Mid 19th to early 20th century,
Capital form the Temple of Vesta, 19th century,
Fragment with Foliage from Notre Dam, Mid 19th to early 20th century,
Stele with decorative strap work, Mid 19th to early 20th century,
Fragment with Decorative Strapwork, Mid 19th to early 20th century,
Decorative Capitals, Mid 19th to early 20th century,
Decorative Capitals, Mid 19th to early 20th century,
Decorated Pilaster, Mid 19th to early 20th century,
Decorated Ionic Capital, 19th century,
Decorated Ionic Capital, 19th century,
Fragment of Window Arch, Mid 19th to early 20th century,
Putti and foliage (Tondo), Mid 19th to early 20th century,
Foliate Capitals of Paired Columns, Mid 19th to early 20th century,
Fragment of Stele, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Arcitrave with Foliage, Mid 19th to early 20th century,
Cherub, 19th century,
Capitals with Scroll ornament, Mid 19th to early 20th century,
Capitals with foliate ornament, Mid 19th to 20th century,
Architectural Fragment with Leafy Ornament, Mid 19th to early 20th century,
Fragment with Helmet and Ornament, Mid 19th to early 20th century,
Pilaster Capital, Mid 19th to early 20th century,
Panel decorated with Figures, Putti, Masks and Foliage, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Gothic Capital, Mid 19th to early 20th century,
Coat of Arms on Octogonal Panel, Mid 19th to early 20th century,
Architectural Ornamentation, Mid 19th to early 20th century,
Architectural Fragment Leaf Relief, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Section of Cornice with bands of Ornament, Mid 19th to early 20th century,
Architecural Fragment with Foliage, Mid 19th to early 20th century,
Panel decorated with Vase, Birds and Foliage Ornament, Mid 19th to early 20th century,
Capital of Composite Form, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Panel decorated with Foliage and Figures, Mid 19th to early 20th century,
Panel decorated with Cornucopiae, Birds, Foliage in Relief, Mid 19th to early 20th century,
Ornamented Boss, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Architectural Fragment decorated with Egg and Dart Enrichments, Mid 19th to early 20th century,
Part of Cornice, Mid 19th to early 20th century,
Part of Cornice, Mid 19th to early 20th century,
Architectural Fragment with Leafy Foliage Ornament, Mid 19th to early 20th century,
Panel with figure of Ceres, Animals, Foliage etc, Mid 19th to early 20th century,
Corinthian Capital with Stylised Acanthus, Mid 19th to early 20th century,
Capital, Mid 19th to early 20th century,
Cornice decorated with bands of Ornament and Masks, Mid 19th to early 20th century,
Cornice decorated with bands of Ornament and Masks., Mid 19th to early 20th century,
Panel with pair of Wolf Headed Figures, Mid 19th to early 20th century,
Portion of a curved panel with Leaves, Mid 19th to early 20th century,
Sculptural Fragment, Foot, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Panel with decoration of Foliage and Hops, Mid 19th to early 20th century,
Section of Entablature, Mid 19th to early 20th century,
Panel with Interlaced Foliage Decoration, Mid 19th to early 20th century,
Architectural Fragment with Leaf, Mid 19th to early 20th century,
Architectural Fragment with Egg and Tongue Moulding, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Plaster Capital decorated with Vines and paired Birds, Mid 19th to early 20th century,
Fragment with Foliage Decoration in Relief, Mid 19th to early 20th century,
Section of Pilaster with Vase, Foliage and Putti, Mid 19th to early 20th century,
Section of Frieze with Vines and Eagle in Clipeus, Mid 19th to early 20th century,
Two Handled Urn decorated with Classical Figures, Mid 19th to early 20th century,
Panel decorated with Figure and Foliage in Relief, Mid 19th to early 20th century,
Decorated Pilaster, Mid 19th to early 20th century,
Capital with Masks and Foliage, Mid 19th to early 20th century,
Trophy with Musical Instruments, Mid 19th to early 20th century,
Section of frieze with Foliage and Decorated Borders, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Fragment of Decorated Panel, Mid 19th to early 20th century,
Panel decorated with Putti, Birds etc, Mid 19th to early 20th century,
Blind Window, Mid 19th to early 20th century,
Decorated Pilasters (doorway), Mid 19th to early 20th century,
Decorated Pilasters (doorway), Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Architectural Fragment, Mid 19th to early 20th century,
Base of Roman Altar, Mid 19th to early 20th century,
Fragment of Decorated Capitals, Lion Head, Mid 19th to early 20th century,
Fragment of Decorated Capitals, Mid 19th to early 20th century,
Panel decorated with Birds, Thistles and Foliage, Mid 19th to early 20th century,
Decorated panel with Stylised Leaves, Mid 19th to early 20th century,
Panel with Bambini, Mid 19th to early 20th century,
Bucrania, Mid 19th to early 20th century,
Unknown Female on Panel with Foliage, Mid 19th to early 20th century,
Panel with Foliage, Mid 19th to early 20th century,
Mary Statuette, Mid 19th to early 20th century,
Relief Foliage with Vases, Mid 19th to early 20th century,
Madonna and Child Maquette, Mid 19th to early 20th century,
Panel Birds with scrolled Foliage, Mid 19th to early 20th century,
Rectangular architecural fragment with Arched Indentations, Mid 19th to early 20th century,
Panther catching Rabbit, Mid 19th to early 20th century,
Mercury's Torso, Mid 19th to early 20th century,
Unknown cast, Mid 19th to early 20th century,
Cherub with Fish, Mid 19th to early 20th century,
Bull's Head, Mid 19th to early 20th century,
Large Foliage Panel, Mid 19th to early 20th century,
Medici Venus, Mid 19th to early 20th century,
Large Leaf, Mid 19th to early 20th century,
Female form, Mid 19th to early 20th century,
Capital with Monk, Mid 19th to early 20th century,
Aristotle, Mid 19th to early 20th century,
Angel, Mid 19th to early 20th century,
Damaged Capital, Mid 19th to early 20th century,
Bust wearing Turban, Mid 19th to early 20th century,
Pointed Stele, Mid 19th to early 20th century,
Capital with leaves, Mid 19th to early 20th century,
Cylindrical Fragment, Mid 19th to early 20th century,
Capital with Double Columns, Mid 19th to early 20th century,
Remembrance Panel, Mid 19th to early 20th century,
Griffin in Relief, Mid 19th to early 20th century,
Standing Putti, Mid 19th to early 20th century,
Angel playing Lute, Mid 19th to early 20th century,
Cherub with Horns, Mid 19th to early 20th century,
Relief Panel with Vases, Mid 19th to early 20th century,
Baptismal Font, Mid 19th to early 20th century,
Console, Mid 19th to early 20th century,
Female Figure, Mid 19th to early 20th century,
Female Figure, Mid 19th to early 20th century,
Female Figure, Mid 19th to early 20th century,
Female Figure, Mid 19th to early 20th century,
Modern Panel, Mid 19th to early 20th century,
Laughing Boy, Mid 19th to early 20th century
PC/086, (Item) Acroterua from Greek Temple, Mid 19th to early 20th century Add to your favourites. View associated digital content. 
Extent: 1 item
Reference: PC/086
Dimensions: 610 x 660 x 330 mm
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