Printed black and white reproduction of Peter Blake's 1970 work ‘and to show you I’m not proud, you may shake hands with me!’ featuring Humpty Dumpty. The printed reproduction is cropped to show only the top half of the original painting.

Suite of 9 works.

Oil painting on board of an abstract bird in brown, green, blue and pink. The painting is signed 'Wilson. '71.' There is a label on the back of the painting marked 'DALER BOARD FOR OILS' listing the stock sizes of the manufacturers' boards. There is a stamp that reads '28 x 24 FINE GRAIN' and a handwritten price of 44p.

Abstract oil painting of a bird in blue and white on a green background. The painting is signed 'Wilson 1972.' The back of the board is marked with a company stamp which reads 'CANVAS BOARDS FOR PAINTING IN OIL COLOURS' and the size of the board.

Abstract oil painting on board of a boat harbour in blues and oranges. The painting is signed 'WILSON 72.' The back of the board is marked with a company stamp which reads 'CANVAS BOARDS FOR PAINTING IN OIL COLOURS' and the size of the board. The back of the board is also marked with handwriting which reads 'DO NOT TOUCH' and 'WET PAINT'.

Abstract painting in pinks, browns and whites. The work is signed on the front.

Painting of abstract forms in blue, red, yellow and green, with black boundary lines, on a blue background. Signed 'Avella' in bottom right-hand corner.

Painting of a cluster of circles and lines, possibly figures, above a rectangular form with four lines emerging from one side. The central shapes are rendered in shades of orange and red, apart from the rectangle which is unpainted, with light brown towards the edges of the piece.

Painting of abstract forms in shades of pink, lilac, teal. Signed 'Avella' in bottom right-hand corner.

Painting with abstract forms in green, black and white. The work is signed by the artist on the front.

Acrylic painting depicting plants and the horizon in shades of brown.

Abstract design painted onto a brown envelope. Black outline drawing with blue, purple and pink gouache. Mounted on white paper. Annotated verso "confused area, searching for direction + source!".

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract portrait painting in browns and blues. Printed text that reads 'Postcard' is visible on the surface of the paper, as well as a postage stamp box. The work is marked in black pen 'For Colin. Peter Blake. London 1980.' There is some fluffy peach-coloured material fixed to the reverse.

Painting of loose geometric forms rendered in white, yellow, pink and blue. Most of the forms have a roughly rectangular or wedge shape with thin border lines and broad strokes of colour. There is a white circle toward one end of the composition and a blue circle toward the other.

Abstract painting with a triangle at each end, points facing, and a circle overlapping most of one triangle and the point of the other. The painting is divided into strips by horizontal lines and the strips are sectioned into brightly-coloured blocks and triangles. Around the margins of the page there are pencil sketches of rectangular shapes and patterns.

Abstract painting featuring a composition of geometric forms, primarily triangles. The forms are outlined in white, with some triangle segments painted in green and pink and several semicircular or crescent shapes painted in yellow-green. The background is white and green with lines and hatching carved into the paint.

Abstract painting of coloured segments in red, blue, green, black and purple. A red circle on a blue and black segment sits just off-centre.

Abstract painting with composition of red rectangles in an inverted teardrop formation. The background is red and brown with a blue strip across the bottom. Signed 'Avella' in bottom right corner.

Abstract painting with thick black framing line. Features tightly packed geometric forms in green, blue, pink, white and peach, composition is dominated by squares and rectangles. Painting is affixed to larger backing sheet on which an annotation in bottom right corner reads 'Sanded, Antique, Cemented'.

Abstract bounded by a rectangular border. At the centre of the composition is a yellow semicircle with green segments below it and blue segments above, reminiscent of a sun rising or setting behind a hill. On the left is a yellow segment in a roughly wedge shape containing a white circle and three vertical lines with a curved line intersecting them horizontally. In the bottom right is a pink segment in a roughly wedge shape containing a white circle. The pink segment has a noticeably thicker line on its left side and the top line continues the curve of the segment beside it.

Abstract painting featuring yellow triangles at the centre of the composition. The bottom-centre triangle contains a red-brown circle. Two red semicircles overlap the triangles. Black columns extend from the top and bottom of the central cluster of shapes. The background is green with a red line at either side. Signed 'Avella' in bottom right corner.

Abstract artwork rendered primarily in greys and blacks with occasional bursts of white or colour. A section of paper at the centre of the piece has been torn away and strokes of the painting continued onto the backing. Annotation on reverse dates piece to 1977. A sticker on the reverse lists the title, medium and price of the painting.