Classical scene; three figures. Awarded to David Broadfoot Carter. Inscribed obverse: "Glasgow School of Art, Bram Stoker Medal for the best imaginative work of the year/ D.Broadfoot Carter 1903".

Classical scene; three figures. Inscribed obverse: "Glasgow School of Art, Bram Stoker Medal for the best imaginative work of the year/ D.Broadfoot Carter 1903". This medal was cast from the original by Roger Miller, Head of GSA Silversmithing and Jewellery, 1990s.

Inscribed obverse: "Glasgow School of Art, Bram Stoker Medal for the best imaginative work of the year/ James Huck 1904".

Royaume de Belgique, Exposition Universelle de Bruxelles, 1910.

Framed display of "Casts of medals commemorative of British history". Plaster casts labelled with 17th century events and figures from British history. Label at bottom right corner says "Hunterian Collection".

Italian order (medal and pin) presented to Fra Newbery for approving Glasgow School of Art Pavilion at Turin Exhibition, 1902.

Portrait of King Edward VII and Queen Alexandra. Inscribed Obverse: "King Edward VII, Queen Alexandra" with portrait busts of King and Queen, reverse: "26th June 1902".

Single-sided metal casting of a medal in honour of the sculptor Eugene Guillame. Inscription: "Eugene Guillaumes Statuaire / Ne a Montbarf Cote d'Or / IV / IVILLET / MDCCCXXII / Ringel d'Illze ach SC/ MDCCCLXXXIV". The medal depicts a portrait of Eugene Guillame and several symbols representing sculpture and the arts.

Part 1 of video triptych. Control My Bodiless Form is a video triptych melding Swedish folk music with stories from cyberspace. The three audio-visual pieces offer a satirical and absurd look at the numbness, joy, and horror that exists online. In July 2022, an anonymous survey was sent out via social media. It asked things like:

What’s the worst interaction you’ve had in cyberspace?

What’s the loveliest interaction you’ve had in cyberspace?

What do other people do on the internet that you find embarrassing?

What have you done on the internet that you regret?

For anyone who has been on the internet, this next part won’t be all that shocking. Responses were often long paragraphs, recounting experiences of grooming, doxxing, antisemitism, stalking, trolling, homophobia, racism, and self harm. There were also stories of finding community, inspiration, creativity, even romantic love. Stories of disassociation and apathy. The responses were woven into lyrics, and put to three pieces of music. The result is three audio-visual pieces, filled with the warmth of 20-layer harmonies, cow herding calls, organs, and accordions, as well as the menacing detachment of AI voices and Weircore aesthetics. A strange amalgamation of the natural and digital, examining what on earth is happening to us in cyberspace.

Part 3 of video triptych. Control My Bodiless Form is a video triptych melding Swedish folk music with stories from cyberspace. The three audio-visual pieces offer a satirical and absurd look at the numbness, joy, and horror that exists online. In July 2022, an anonymous survey was sent out via social media. It asked things like:

What’s the worst interaction you’ve had in cyberspace?

What’s the loveliest interaction you’ve had in cyberspace?

What do other people do on the internet that you find embarrassing?

What have you done on the internet that you regret?

For anyone who has been on the internet, this next part won’t be all that shocking. Responses were often long paragraphs, recounting experiences of grooming, doxxing, antisemitism, stalking, trolling, homophobia, racism, and self harm. There were also stories of finding community, inspiration, creativity, even romantic love. Stories of disassociation and apathy. The responses were woven into lyrics, and put to three pieces of music. The result is three audio-visual pieces, filled with the warmth of 20-layer harmonies, cow herding calls, organs, and accordions, as well as the menacing detachment of AI voices and Weircore aesthetics. A strange amalgamation of the natural and digital, examining what on earth is happening to us in cyberspace.

Part 2 of video triptych. Control My Bodiless Form is a video triptych melding Swedish folk music with stories from cyberspace. The three audio-visual pieces offer a satirical and absurd look at the numbness, joy, and horror that exists online. In July 2022, an anonymous survey was sent out via social media. It asked things like:

What’s the worst interaction you’ve had in cyberspace?

What’s the loveliest interaction you’ve had in cyberspace?

What do other people do on the internet that you find embarrassing?

What have you done on the internet that you regret?

For anyone who has been on the internet, this next part won’t be all that shocking. Responses were often long paragraphs, recounting experiences of grooming, doxxing, antisemitism, stalking, trolling, homophobia, racism, and self harm. There were also stories of finding community, inspiration, creativity, even romantic love. Stories of disassociation and apathy. The responses were woven into lyrics, and put to three pieces of music. The result is three audio-visual pieces, filled with the warmth of 20-layer harmonies, cow herding calls, organs, and accordions, as well as the menacing detachment of AI voices and Weircore aesthetics. A strange amalgamation of the natural and digital, examining what on earth is happening to us in cyberspace.

Awarded to Thomas Campbell Mackie, 1910. Inscribed: "Glasgow Corporation Drawing Competition, Palmam qui meruit ferat, Thos Mackie 1910".

Medal awarded by the Department of Science and Art, South Kensington, London. Awarded to George Millar. Inscribed Obverse: "Local prize for success in art awarded by the Department of Science and Art"Obverse: "Victoria by the grace of God queen MDCCCLVI" On rim: "George Millar. Glasgow. Stage 18a".

Medal awarded by the Department of Science and Art, South Kensington, London. Awarded to James Sellars. Inscribed Obverse: "Local prize for success in art awarded by the Department of Science and Art"; Obverse: "Victoria by the grace of God queen MDCCCLVI"; On rim: "James Sellars. Glasgow. Stage 23a. 1860".